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she is the perfection example for the phrase sweet and salty, as the hot newbie portrays the image of a girl-next-door and a sultry siren with great ease.

Hot Actress

Hot Actress

she is a name to reckon with when it comes to the leading ladies of Bollywood.

Hot Actress

Hot Actress

she is the only actress who can attract national and international crowds.

Hot Actress

Hot Actress

she is one of the most famous heroines of the present time,She is one of the most sought-after actresses in Bollywood

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Hot Actress

She is the face of so many international brands and a very good actress also.

 
MOVIE REVIEWS
Review: No Emotion only Atyachar!
The Film Emotional Atyachar fails to impress.
Review: We Are Family is no Stepmom
We Are Family falls into the same genre of films such as Ta Ra Rum Pum or Thoda Pyaar Thoda Magic which are purportedly about kids but it's the same melodramatic mush being dished out in a new wrapper. A sensitive, real film such as Stepmom has been turned into a cliched Bollywood potbroiler.
Robot: Not Rahman's best, to say the least
Which is a pity, because Robot's storyline -- which seems a bit like Bicenntenial Man, starring Robin Williams -- is all about a mechanical creation discovering human emotions.
Anjaana Anjaani has a zingy score!
For all its aspired sweetness, Anjaana Anjaani's USP lies in its dynamic substance and stylish oomph.
Avatar: Wait for the DVD
For those who are wondering whether to make the trip to the theatres to watch Avatar's re-release or just wait for the DVD or Blu-ray versions, the latter seems a better option.
Review: Avoid Hello Darling at all cost
The film is riddled with pithy, half-baked situations, dialogues laced with sexual innuendoes and downright in-your-face vulgarity. Run far far away from this one.
Antardwand is a film about real people
More than a social drama, Antardwand is actually a thriller merely because it's impossible to predict which direction the film will take. Thankfully, the film does not end in 'Bollywood' style.
Aashayein: Not compelling enough
Aashayein has a unique story that starts with good intentions, but eventually the treatment amounts to nothing spectacular.
Review: Lafangey Parindey lacks spunk
The indispensible rawness that defines some of the coolest portrayals of the roguish hero by the likes of Anil Kapoor, Sanjay Dutt and Aamir Khan, is missing from Pradeep Sarkar's latest offering, Lafangey Parindey.
Watch And Once Again for the players
If romantic melodramas are your cup of tea, this film is perfect for you.
Peepli [Live]: Best film of the year!
Peepli [Live] is a well-researched, brilliantly-written and effectively documented creation that hasn't negotiated its wry vision for big screen.
Review: The Expendables is undependable
The best reason to watch this movie is nostalgia. That is also the worst reason to watch it because memories once sullied can never be repaired.
Review: Help could have been edgier
Despite average performances from Bobby Deol and Mugdha Godse, much of the credit goes to the production team.
Music review: We Are Family is not good enough!
Shankar-Ehsaan-Loy are known to devise penetrating score with memorable results like Tanhayee (Dil Chahta Hai), Maa (Taare Zameen Par), Kitni baatein (Lakshya), Kal Ho Naa Ho (KHNH). But barring a couple of heartfelt creations, their effort in We Are Family is nowhere close to this afore-mentioned legacy.
Aisha: Love the fashion, the girl not so much
Beautifully shot and packaged with a fabulous soundtrack and superlative ensemble cast, Aisha, quite often, gets caught up in a self-created tangle of brand-led vanity to ever let one get acquainted to its leading lady.
Review: Despicable Me is pure fun
Despicable Me's strength is good old fashioned storytelling -- excellent characters, attention to detail and a journey that is just pure fun.
Review: Predators is predictable
Predators is totally a guy's movie filled with grisly violence and foul language of a level we are all familiar with.
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